renbostelaar:

#118: 28-1-2012 - Diner, Detroit

renbostelaar:

#118: 28-1-2012 - Diner, Detroit

CNV00015 (by d.swanboroughnilson)

CNV00015 (by d.swanboroughnilson)

soundthat:

untitled by d-swanboroughnilson
Taken with instagram

Taken with instagram

mpdrolet:

Dubai, 2008
Felix Odell

mpdrolet:

Dubai, 2008

Felix Odell

I’ll just leave this here

I’ll just leave this here

forestmilk:

Throughout the mid to late 1970s and upwards, Hiroshi Sugimoto packed up a folding 4x5 camera & tripod, surreptitiously entered matinees (and, one can only presume, evening film events) and documented the interior of movie theatres across the United States. He would open the shutter just before the ‘first light’ hit the screen and close it after the credits finished rolling and before the house lights came on. Using this method he was able to invert the subject/object relationship of the movie theatre and use the film itself to illuminate the proscenium and interior. This content, largely unaddressed critically, is what lends the images their incredible power — along wtih the natural fascination of being made privy to the photography’s divine birthright — allowing us to see the normally invisible, to experience a finite collapse of time.

forestmilk:

Throughout the mid to late 1970s and upwards, Hiroshi Sugimoto packed up a folding 4x5 camera & tripod, surreptitiously entered matinees (and, one can only presume, evening film events) and documented the interior of movie theatres across the United States. He would open the shutter just before the ‘first light’ hit the screen and close it after the credits finished rolling and before the house lights came on. Using this method he was able to invert the subject/object relationship of the movie theatre and use the film itself to illuminate the proscenium and interior. This content, largely unaddressed critically, is what lends the images their incredible power — along wtih the natural fascination of being made privy to the photography’s divine birthright — allowing us to see the normally invisible, to experience a finite collapse of time.

(via sabino)

(via Emiliano Granado)
sciencesoccultes:

Jeremy O’Sullivan 

joncherry:

Ori Gersht.

What a ledge.

Definitely gonna try and see this at the IWM on Friday, and I’m quite tempted to get a copy of the accompanying book too (Gersht talking about the book)

robbrulinski:

2011Pam Et Jenny
postcardsfromamerica:

The limited edition Postcards From America box set is a collection of objects – a book, five bumper stickers, a newspaper, two fold-outs, three cards, a poster and five zines, all in a signed and numbered box – that collectively document the experience. Edition of 500, signed by all five photographers and the writer. $250 (Price will go to $350 on February 1, 2012.)Buy it here: http://postcards.magnumphotos.com/

It’s my birthday in a couple of weeks if anyone is feeling generous

postcardsfromamerica:

The limited edition Postcards From America box set is a collection of objects – a book, five bumper stickers, a newspaper, two fold-outs, three cards, a poster and five zines, all in a signed and numbered box – that collectively document the experience. Edition of 500, signed by all five photographers and the writer. $250 (Price will go to $350 on February 1, 2012.)

Buy it here: http://postcards.magnumphotos.com/

It’s my birthday in a couple of weeks if anyone is feeling generous

Jebel Hafeet, Al Ain, 2011
Yashica Electro 35 GTN, Fujicolor C200

Jebel Hafeet, Al Ain, 2011

Yashica Electro 35 GTN, Fujicolor C200

Thinking of buying some new photography books
know any good ones?